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Drive Me Dark

Chapter 28

The Night Before

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5:55 a.m. Blackthorn, Long Island. Tuesday.

The roof was still wet from the storm, and the first light came up over the Sound like something being slowly poured.

Vega sat on the slates behind the east chimney with a blanket around her shoulders and a mug of coffee going cold in her hands. She had not slept. Neither, she suspected, had anyone in the house. Down on the lawn, men in dark jackets were loading crates into trucks with the grim speed of people who do not want to be asked what is in them.

Behind her, the bathroom window scraped.

She did not turn around. "That's my roof."

"I am aware." Roman folded himself through the frame with the care of a man who had been told twice by a doctor that he was an idiot. He had put on a gray sweater. It looked soft and old, with a hole at the elbow, and it made him look like somebody's uncle. "Silas informed me that you were up here. I said that I would not intrude."

"And?"

"I have intruded."

"I see that."

"I brought bacon."

She turned her head.

He held out a paper napkin, folded around three strips of bacon, slightly burnt. He held it out with the same ceremonial gravity as he'd held out the folder in the garage, and she looked at it for a long moment, and then at him, and something in her chest gave a small, helpless, entirely traitorous wobble.

"This is not a peace offering," she said.

"Of course not."

"It's just bacon."

"It is merely a strip of pork that happened to be near you." He sat. It took some time. He stretched his bad leg out along the slates and laid the cane across it. "I would like to say something. You may tell me to stop."

"Go on."

"I have been thinking about what you said in the library. That you wished to hear everything, again, slowly, with a lawyer." He took a breath. "I would like to do it. All of it. Every ledger. Every entry. Every night I spent in the shed above the laundromat, and every man I paid to look away. I will sit in any room you choose, and I will answer every question you ask, and I will not leave out the parts that make me look worse."

"That could take a while."

"I have nothing but time."

"You have two days and change."

"Then I shall start with the most important." He lifted his eyes. "I never once believed that the crates would harm your father. I believed that they were for someone's insurance. I was twenty, and stupid, and frightened. I counted them because Voss would hit me if I did not." A faint, bitter exhalation. "I want you to know that I have never forgiven myself. I do not ask you to. I only want you to know it."

She took the bacon.

She ate one piece, slowly, looking at the water. It tasted of smoke and salt and a little of burn. It was, she thought, the worst bacon she had ever eaten.

"My dad," she said, "used to say there were two kinds of guilt. The kind you wear and the kind you carry. The first one is for show. The second one's real. It weighs something."

"Which kind am I?"

"I don't know yet."

"That is fair."

"But I'll tell you what I do know." She licked a smear of grease off her thumb. "The kind who wears it doesn't get up at three in the morning and sit on a crate."

His mouth moved. He did not speak. He looked down at his own hands as though checking that they were still there.

"Rules," said Vega.

"Yes."

"One. No more secrets. Not the big ones, not the small ones. If you've got a file, I get a copy. If you've got a plan, I get the plan."

"Agreed."

"Two. You ask me. You don't decide for me. I don't care how dangerous it is or how noble you feel. If you want me in the car, you ask. If you want me out of it, you ask."

"Agreed."

"Three." She paused. "You don't die."

He was silent.

"I mean it. I'm not doing this twice. I'm not pulling you out of one more fire." Her voice shook, just slightly, and she steadied it. "I spent eleven years counting exits, Roman. If you go through one without me, I will drive to hell and drag you back by the collar."

"I believe you."

"Say it."

"I shall do my utmost not to die."

"That's a hedge."

"It is the best I can offer in good conscience."

"It's a lawyer's promise."

"I have always been a lawyer's promise," said Roman. "It is the most honest sort."

She looked at him sidelong. He was watching the horizon, calm and bruised, with the early light on his cheekbone, and the corner of his mouth was turned up by a millimeter. It occurred to her that he had never looked more like a man she could happily spend a lifetime arguing with.

Oh no, thought Vega. I'm in so much trouble.

…

The war room was the library, rearranged.

Somebody had cleared the leather chairs. A long table stood in the middle of the floor, covered in blueprints, and on the wall the old globe had been pushed aside to make room for a vast satellite photograph of the Nevada desert. A single red circle marked the Las Vegas Strip. Another, larger circle, in green, marked the Aurum.

"Eighty-one floors," said Silas, with a long steel pointer in his good hand. "A casino on the first four. A hotel on the next sixty-eight. A conference level at the top, where the signing will take place. One private elevator, two public ones, and a freight lift that Rurik believes nobody knows about."

"Someone does?" asked Juno.

"Someone always does."

It was Tuesday, midday. They were all there. Silas had returned from Italy at six that morning, gray with fatigue, with a bruised knuckle and a story he did not tell. He had come in through the front door with a bundle in his arms. A small thing, in a yellow coat, fast asleep, with a thumb in her mouth and an expression of profound mistrust.

Bianca Ferris, four, was now in the kitchen with Mrs. Pell, the housekeeper, being fed ice cream at an unnatural hour.

Her father had been allowed to see her for ten minutes. Vega had not been in the room. She had been in the corridor, where she heard it, a small high delighted shriek of Papà! and then a long, low, wrecked sound from a man on his knees, and she had put her hand flat against the wall and closed her eyes.

Whatever he did, she'd thought, I'd have done the same.

It was an uncomfortable thought. She had decided to examine it later.

"Right," said Silas. "The plan."

He had the air of a man who had written it on a napkin at thirty thousand feet and then rewritten it from scratch.

"Rurik knows that we know. He knows that Ferris is in custody. He does not know that the girl is safe, or that we hold the worm's output. He believes we are blind. He expects Mr. Ashcombe to travel by convoy from the airfield, Thursday afternoon, with the usual detail. That is where he will strike."

"So we don't use the convoy," said Vega.

"We use the convoy." Silas smiled thinly. "A decoy. Four armored vehicles, a body double, a full escort. They will take the highway at four. Rurik's people will hit them, and find nothing but dummies and a very large number of cameras."

"The body double?"

"A volunteer." He glanced at Reyes. "Reyes's nephew."

"He is very brave," said Reyes, stiffly. "And very tall."

"He is terrible at walking with a cane," said Juno.

"We are working on it."

"Meanwhile," said Silas, "the real Mr. Ashcombe goes in by another route. In a vehicle that no one will be looking for, driven by a woman that no one has heard of."

All eyes turned to Vega.

"Me," she said.

"Rurik's file calls you unidentified." Silas inclined his head. "It is the single greatest weakness in his plan. He does not know who you are."

"He's about to find out."

"Not until Thursday."

"What's the car?"

"A truck." Silas allowed himself a small, evil pleasure. "A refrigerated delivery van. White. A florist's. It will carry the groom's flowers to the Aurum at three, through the freight entrance, three hours before the signing. The groom, in this instance, is Mr. Ashcombe."

"I'm going in a flower van."

"You are going in a flower van."

"I'm a getaway driver, Silas. I drove a Hellcat through a papaya stall."

"And you will drive this one at thirty-five miles per hour, with your signal on, past two checkpoints and a police cruiser." He did not blink. "It is the hardest thing you will ever do."

She opened her mouth. She shut it. She was very much afraid that he was right.

"Juno," said Silas.

"Here!" said Juno.

"You will be in the Aurum's security system by Thursday noon."

"I'll be in it by Wednesday noon." She cracked her knuckles. "They've got an old building automation grid. It's got a back door the size of a barn. I've already found three. I could turn off every camera in that hotel with a sneeze."

"I would prefer something quieter."

"I could make them see what I want them to see."

"Better."

"Dante gave me the Rurik group's fingerprint," she said. "I can write a mirror. When they look at the hotel, they'll see an empty floor. And they'll keep seeing it until I stop them." Her face had gone sharp and luminous. "It's the best thing I've ever done."

"It is not done yet."

"It's basically done."

"Reyes," said Silas.

"I will have forty men on the conference level by two," said Reyes. "In staff uniforms. In the kitchens. In the elevators. In the air ducts, if necessary."

"Vane?"

"The accounts are frozen," said the finance man, in a voice like a blade being drawn from a sheath. "All of them. I have moved every liquid asset into a holding company in Liechtenstein. If the Foundry falls, it falls to nothing. Rurik will win a corpse."

"Excellent," said Roman.

He had not spoken for twenty minutes. He sat in the wing chair at the head of the room with his hands steepled and his eyes half closed, in the attitude of a judge. He opened them. "Thursday at seven. I sign. Whatever happens in the building. Whatever happens in the street. I will put my name on that page if I have to do it in my own blood."

"Sir," said Silas.

"Yes?"

"That is not a metaphor I would use in front of three senators."

A laugh ran round the room. It was small and tense, but real. Even Reyes's mouth twitched.

Roman looked at them, at all of them: the thin gray security chief, the closed-ledger financier, the hacker in the cardigan with the pen in her hair, the ex-soldier with his arm in a cast. He looked at Vega last. He held it there.

"I have never had a team," he said, quite simply. "I have had employees. I have had men who feared me. I have not, in fifteen years, had people who would walk into this room on a Tuesday with the world about to burn and tell me they were in." He cleared his throat. "I do not know what to say."

"Say 'Go,'" said Silas.

"Go," said Roman.

…

The house emptied by degrees.

By ten that night it had gone quiet. Trucks had left. Men had slept. In the great kitchen, a single lamp burned over the long table, and a four-year-old in a yellow coat lay asleep on a bench with her head on a cushion and her fist wrapped around one of Roman's cufflinks, which she had taken from him as a toll.

Vega found him in the garage.

He was standing beside the tarp. He'd drawn it back. Under it, in the faint light from the high windows, she saw for the first time the thing she'd walked past a hundred times: a low, wide, ancient car, dark blue, flaking, with a cracked windshield and a front tire gone flat. A nineteen-seventy Dodge Challenger. The paint had worn through to primer along one fender. A cracked leather seat. A key in the ignition, on a tarnished ring, with a little plastic charm shaped like a dog.

"I did not rebuild the engine," said Roman, without turning.

"I know."

"I meant to. I thought I would, once. I told myself that I would have it running by the time I turned thirty." He put his palm on the roof. "I did not even start."

"You could."

"I could."

"After Thursday."

"After Thursday." He turned. The light caught his eyes. "I would like you to be there, if you wish. I would like you to drive it first."

She stared at him.

"Roman. That's—"

"It is his car," said Roman. "He would have wanted a good driver."

Her throat did something painful. She crossed the concrete, and put her arms around him, hard, careful of the leg, and pressed her face into the soft gray wool. He smelled of bacon and rain and the faint sharp ghost of cedar. His arms closed on her back. He held her for a long time, without speaking. His heart was beating against her cheekbone, steady, a little too fast.

"I'm not leaving," she said into his sweater.

"I know."

"I want you to know that. Whatever happens."

"I know."

"I'm still angry."

"I know that, too."

"I'm going to be angry in the car. I'm going to be angry in the elevator. I'm going to be angry when you sign."

"I should expect nothing less."

"But I'm here." She tilted her head back. "I'm not going anywhere. I want you to carry that. Into the building. Into the room."

He looked down at her. It was a long look. She watched the whole thing arrive: the surprise, the fear, the helpless, enormous gratitude, and under all of it something quieter and older, a thing she had seen in a hollow under a tree and never been able to name.

"Come upstairs," said Roman.

"Is that an order?"

"It is a question."

"Then the answer's yes."

He took her hand. They went up the back stair together, slowly, because of his leg, in the dark. Behind them, in the garage, the tarp hung half-drawn over a dead boy's car. Ahead of them, the corridor waited, lit by a single lamp.

At the top, she stopped him.

"If this is the last night," she said.

"It is not."

"If it is."

"Then I would like," said Roman, very quietly, "to spend it in a room with no cameras."

She laughed. It cracked. She pulled him down and kissed him in the hallway, with her hands in his hair and her back against the wall, and the house went silent around them, the way a house does when it has decided to look away.

…

3:12 a.m.

Her phone rang.

It was a burner. She kept it in her boot, on the floor, out of habit. It buzzed against the leather like a trapped wasp, a dull insistent drone, and she was out of bed before she was fully awake. Roman did not stir. He slept on his side with one arm flung over the empty place where she had been, his face softened, younger, nearly peaceful.

She took the phone into the bathroom. She shut the door.

Unknown number.

She thumbed it.

"Hello?"

"Miss Callahan."

It was a man's voice. Smooth. Cultured. Faintly accented, in a way she could not place. Amused, as one is amused by a clever child.

"Who is this?"

"A friend. Or the next best thing." The voice was unhurried. "I will be brief, as I understand that you are a person who values her time. I represent a party who has observed your career with great interest."

"I don't have a career."

"You have a record, Miss Callahan. It is quite remarkable. Seven hundred and forty-one jobs in five years. Not one conviction. Not one photograph. You are, as I understand, called the Ghost." A soft click, as of a lighter. "My employer admires that. He has a place for ghosts."

She stood in the dark with her back against the tile.

"I'm hanging up."

"You may. But you will want to hear the offer first." The voice did not change. "On Thursday, at seven in the evening, Mr. Ashcombe will sit at a table in a room on the eighty-first floor. He will sign a piece of paper. My employer would like to ensure that something happens to the pen."

She said nothing.

"You need do nothing dramatic. You need merely be where you will be. Drive the van. Take the freight entrance. And tell us, at one o'clock, which door." A pause. "That is all."

"And in return?"

"A clean exit."

The words hung in the dark.

"I mean that in the fullest sense," said the voice. "A new name. A new passport. A new life, in a country of your choosing, with a sum in an account that would make a Swiss banker weep. Your friend, Miss Park, will be gone with you. Your father's name will be cleared by a very public inquiry. And no one—" the voice lowered, tender, almost kind— "no one will ever follow. Not Mr. Ashcombe. Not us. Not anyone. You will be the one thing you have always wished to be, Miss Callahan. Free."

She shut her eyes.

Free.

She had waited eleven years for the word. Twice in a month it had been offered. Once by a man who gave it away for nothing, in a dining room, in a dry quiet voice, with a chandelier.

And once by this.

"Why me?" she said.

"Because you are the only one he would trust at his back." The voice smiled. She could hear it. "You see, we know what you are to him. We know about the garage and the roof and the chair. It is quite touching. It is also quite useful."

Her hand tightened on the phone.

"You have until noon on Thursday," said the voice. "Think carefully. You are a woman who has always chosen to survive. I should hate to see you break the habit."

The line went dead.

She stood there for a very long time.

The bathroom tiles were cold under her bare feet. A thin gray light had begun to show at the edge of the window. On the other side of the door, in the dark, a man who had never been loved without a price lay sleeping in a bed she had made unmade.

She turned the phone over in her hand.

I'm not leaving, she had told him. I want you to carry that.

She looked at the screen, at the little black number, at the smooth glass.

She did not delete it.

She told herself it was evidence.

How did this moment feel?

Choose any reactions that fit.

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